Feature Presentation

Double Fine Adventure! EP11: “Ship It”

As a plan for release is settled, the team is under pressure to hit a deadline while a mountain of work still remains. A visit to composer Peter McConnell's home outside the city reveals his inspirations and approach to the game's score.

Next in this series!

Double Fine Adventure! EP12: “A Whole Different Game Experience”

Voices are put to the many eccentric characters of Broken Age by a cast of new and old friends. The animation team seeks help from outside the studio to complete the game's hours of cutscenes.

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Amnesia Fortnight 2017 - The Day After

"Is everyone emotionally prepared to go live?"

Amnesia Fortnight 2017 - Day 10

"We're kinda all riding our cowboy programming. Yeah, it's just crazy."

Amnesia Fortnight 2017 - Day 9

"Maybe I should feel embarrassed. You guys have some pretty damaging footage of me now."

Amnesia Fortnight 2017 - Day 8

"Zak wants the pickle to be floppy, so I'm making a floppy pickle."

Amnesia Fortnight 2017 - Day 7

"That is awkward... It's functional, and right now that's probably the most important part."

Amnesia Fortnight 2017 - Day 6

"Any time that I am not actively hitting the keyboard I am wasting time."

Amnesia Fortnight 2017 - Day 5

"You know, there is not a lot of biodiversity, so I gotta figure out a way to sort of monkey with that."

Amnesia Fortnight 2017 - Day 4

"I came in today feeling pretty rested. And now I don't feel that way at all."

Amnesia Fortnight 2017 - Day 3

"When I get home I'm like: 'Oh my god, I gotta do this differently', or 'I am not thinking about this enough'. But when I get in here it's fine."

Amnesia Fortnight 2017 - Day 2

"Why is it really quiet? Is it because the cameras are here? Or is it because we are looking at a broken game?"

Amnesia Fortnight 2017 - Day 1

"I'm not confident the game is going to work. I hope it's going to work, I think we can make it work, but it could all go wrong. And that's fine."

Amnesia Fortnight 2017 - Day 0

"I don't think we are honing in on some perfect formula. I think every time we kind of want something different out of it, and it evolves and it flips around and changes into different things."

Amnesia Fortnight 2014 - Day 11

"I'm glad you're all thankful for me pushing my work off onto you to figure out what games we're going to make."

Sidequest 16 - Malena Annable - "Autonomy to be Awesome"

Senior Producer Malena Annable tells her story of coming up through the early days of Lucasarts and the path that brought her to find her true calling with Double Fine.

Sidequest 15 - Matt Hansen - "Just Take It Seriously"

In this Sidequest, COO Matt Hansen recalls how his passion for adventure games defined his path towards Double Fine.

Sidequest 14 - Ben Peck - "It's Not Like This Every Day"

Broken Age programmer Ben Peck recalls his various career paths and how they eventually lead him to Double Fine.

Sidequest 13 - Justin Bailey - "My Seat Only Goes Back So Far"

In this Sidequest, Double Fine's COO Justin Bailey recounts his formative gaming years and how it eventually led him to Double Fine.

Sidequest 12 - Camden Stoddard - "The Weight of the Sound"

Camden Stoddard, Double Fine's Senior Audio Engineer, shares the story of his childhood growing up in Maine and early love for music and sound. Hard work and perseverance earned him a career in audio production, but the path to Double Fine had its share of bumps in the road.

Sidequest 11 - Khris Brown - "The Purity of Your Intent"

Everyone’s favorite uber-talented, super-passionate, legend of video game voice, Khris Brown, is back with a whole Sidequest of her own! With years and years of experience dating all the way back to working with Tim at LucasArts, you can be sure there are lots of fun stories to be told!

Sidequest 10 - Peter McConnell - "What I Wish I Could Have Done Then..."

In this Sidequest composer Peter McConnell gives us an extended tour of his home studio, explains the impact of his technical training on his musical career, and teases some more of the Broken Age soundtrack.

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